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Indeed, Halford, the famed “Metal God,” felt secure enough in the ruse to carry the booklet in his back jeans pocket. The words “gay” or “homosexual” didn’t appear in its pages; readers in the recognize were compelled to translate a bit of gay lingo to access its materials, which provided plausible deniability should the mistaken sort of person go snooping. In the years when a closeted gay celebrity like Halford stood to lose his position in music if his sexuality became widely known, Damron, hailed as the “first name and last word” in gay commute, helped keep a secret existence secret. 

Similarly, but decades later, when the New York theater business Aquila went on a national tour of classic plays favor Much Ado About Nothing, star Louis Butelli counted on his Damron’s Address Book to come across gay watering holes and combat loneliness. Butelli attested to the New York Times that it was a “life-saving device.” Both Halford and Butelli represented the guidebook’s traditional target reader: the discreet gay man seeking fellow travelers, as it were, in unfamiliar settings.